Projects 94: Henrik Olesen

Projects 94:
Henrik Olesen
Kurator: Kathy Halbreich

NEW YORK, February 7, 2011—For Projects 94: Henrik Olesen, on view February 9 through May 23, 2011, The Museum of Modern Art presents new works by Berlin-based artist Henrik Olesen (Danish, b. 1967) made specifically for this presentation. Olesen's past projects have addressed a range of subjects, including legal codes, the natural sciences, distribution of capital, and art history. For his first solo museum exhibition in the United States, the artist has gathered disassembled electronic devices mounted on large Plexiglas panels, found-object sculptures, and text-based collages, which together exemplify the range of his practice. Linking this group of works is the relationship of the body and the machine, undergoing what he calls "production, reproduction, and self-production." Olesen has a longstanding interest in the obsession of early modern artists, such as the Dadaists and Surrealists, with the transformation and proliferation of bodies, machines, and systems. In this group of works, he hints at the possibility of liberation from the body, proposing an alternative conception of existence. The installation's combination of words and objects, which waver between personal and anonymous, reflect Olesen's view of the state of the body in technological, capitalist societies of the present day. Projects 94 is organized by Doryun Chong, Associate Curator, Department of Painting and Sculpture, The Museum of Modern Art. The Elaine Dannheisser Projects series is coordinated by Kathy Halbreich, Associate Director, The Museum of Modern Art.