press release

ACCA is proud to present a new commission by renowned artist Joseph Kosuth.

On this occasion Kosuth will present a new body of work titled '(Waiting for -) Texts for Nothing' Samuel Beckett, in play based on a play on Samuel Beckett writings, with particular focus on ‘Waiting for Godot’ and ‘Texts for Nothing’. The installation works runs throughout the perimeter of the main gallery space and is fabricated in blacked out warm white neon installed in a matte black space.

Beckett’s project as an artist was in one important way parallel to that of Kosuth: both practices manifest a concern with meaning. Beckett approaches the question of meaning from the absence of meaning rather than, as Kosuth does, from questions concerned with the production of meaning. Beckett for Kosuth reflects some of the origins of his own practice. There can’t be much doubt as to how this work has come about and its reverberation in Kosuth’s intentions.

The present exhibition will also include three historic installation works. Beginning with the artist’s first gallery exhibition held in Los Angeles in 1969 and titled ‘Nothing,’ showing his seminal dictionary definition works, as well as ‘Zero & Not’, an installation from Kosuth’s 1980’s series of installation works comprised of wall papered rooms based on the writing of Sigmund Freud, and a neon installation work based on James Joyce’s Ulysses, from 1998, exhibited on the ceiling of the Royal Hiberian Academy in Dublin in occasion of James Joyce Bloomsday Anniversary exhibition in 2004.

Joseph Kosuth
(Waiting for -) Texts for Nothing
Samuel Beckett, in play
Kuratorin: Juliana Engberg