If I Can´t Dance, I Don´t Want To Be Part Of Your Revolution II

In her installation 'Afterimage' Haegue Yang re-explores her project 'Sadong 30', which is the address of her derelict and abonded family home in Incehon. This project negotiates this very particular construction of a place, a possible home, interwoven with the condition of her personal history, that house and the underdeveloped suburban city.

In 'Afterimage' she 'remembers' and reworks certain elements of this project in Incehon which she will show for the exhibition at de Appel. 'Gymnastics of the Foldables' is a series of black and white photographs, which depict a clothes rack in many different positions. The rack develops almost a human quality as its stretches and bends like a human body does. It might also refer to Martha Rosler's famous work 'Semiotics of the Kitchen'. November 17, 2006 - January 7, 2007 | De Appel arts centre

If I Can´t Dance, I Don´t Want To Be Part Of Your Revolution 
EDITION II
Haegue Yang, Afterimage